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MA Thesis: Effect of Instrument Timbre on Tonality Perception

Eva Wu

Advisors: Dr. Howard Nusbaum & Dr. Stephen Van Hedger

library(tidyverse)
## ── Attaching packages ─────────────────────────────────────── tidyverse 1.3.2 ──
## ✔ ggplot2 3.3.6      ✔ purrr   0.3.4 
## ✔ tibble  3.1.8      ✔ dplyr   1.0.10
## ✔ tidyr   1.2.1      ✔ stringr 1.4.1 
## ✔ readr   2.1.2      ✔ forcats 0.5.2 
## ── Conflicts ────────────────────────────────────────── tidyverse_conflicts() ──
## ✖ dplyr::filter() masks stats::filter()
## ✖ dplyr::lag()    masks stats::lag()
library(ggtext)
library(ggsignif) # label ggplot
knitr::opts_chunk$set(echo = FALSE, warning = FALSE, message = FALSE)
all <- read_csv("all.csv")
## Rows: 1225 Columns: 51
## ── Column specification ────────────────────────────────────────────────────────
## Delimiter: ","
## chr (13): instrument, chord, participant, Gender, Year, Year_6_TEXT, Major, ...
## dbl (38): qualtrics_id, tuning_step, pct_maj, explicit_rtg, passed_practice,...
## 
## ℹ Use `spec()` to retrieve the full column specification for this data.
## ℹ Specify the column types or set `show_col_types = FALSE` to quiet this message.

Hypothesis

“Happy” instruments would make people more prone to identify the chord as major, while “sad” instruments would make people more prone to identify the chord as minor.

Research questions

  1. Association between instrument timbre and tonality judgment

  2. How timbre interacts and tuning step affect tonality judgment

  3. Association between timbre and explicit ratings of instrument valence

  4. Association between tonality judgment and explicit ratings of instrument valence

  5. Association between musical background/key and tonality judgment and/or explicit ratings of instrument valence

Design

  • IV1 (w/in-subject): instrument (happy [xylophone, trumpet] vs. neutral [piano] vs. sad [oboe, violin])

  • IV2 (w/in-subject): tuning of middle note (5 levels, ranging from absolute minor to absolute major)

  • IV3 (b/w-subject): key (B vs. C) (to find out absolute-pitch-related effects)

  • DV: the likelihood that one categorizes a chord as major/minor

Procedure

  • Pt 1 Sound calibration & headphone test (choose the quietest sound among 3)

  • Pt 2 Training (press the buttons to listen to the chords, practice w/ feedback) + testing phase (listen to 12 chords and choose b/w major and minor for each, need to correctly answer 8 to pass)

  • only analyzed the response of those who passed the assessment w/in 2 tries

  • Pt 3 Categorization task (jspsych) - listen to 4 blocks of 70 chords and choose b/w major and minor for each chord; explicit rating of instrument valence at the end

  • Pt 4 Questionnaires (demographics & music experience; Qualtrics)

Main Findings

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