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Okay. Neil, we can see you coming down the ladder now.
Okay. I just checked getting back up to that first step, Buzz. It's - not even collapsed too far, but it's adequate to get back up.
Roger. We copy.
It takes a pretty good little jump.
Oh 13 23 25 Buzz, this is Houston. F/2 - 1/160th second for shadow photography on the sequence camera.
Okay.
I'm at the foot of the ladder. The LM footpads are only depressed in the surface about 1 or 2 inches, although the surface appears to be very, very fine grained, as you get close to it. It's almost like a powder. Down there, it's very fine.
I'm going to step off the LM now.
THAT'S ONE SMALL STEP FOR MAN, ONE GIANT LEAP FOR MANKIND.
And the - the surface is fine and powdery. I can - I can pick it up loosely with my toe. It does adhere in fine layers like powdered charcoal to the sole and sides of my boots. I only go in a small fraction of an inch, maybe an eighth of an inch, but I can see the footprints of my boots and the treads in the fine, sandy particles.
Neil, this is Houston. We're copying.
There seems to be no difficulty in moving around as we suspected. It's even perhaps easier than the simulations at one sixth g that we performed in the various simulations on the ground. It's actually no trouble to walk around. Okay. The descent engine did not leave a crater of any size. It has about 1 foot clearance on the ground. We're essentially on a very level place here. I can see some evidence of rays emanating from the descent engine, but a very insignificant amount.
Okay, Buzz, we ready to bring down the camera?
I'm all ready. I think it's been all squared away and in good shape.
Okay.
Okay. You'll have to pay out all the LEC. It looks like it's coming out nice and evenly.
Okay. It's quite dark here in the shadow and a little hard for me to see that I have good footing. I'll work my way over into the sunlight here without looking directly into the Sun.
Okay. It's taut now.
Okay. I think you're pulling the wrong one.
I'm just - Okay. I'm ready to pull it down now. There was still a little bit left in the -
Okay. Don't hold it quite so tight.
Okay.
Looking up at the LM, I'm standing directly in tne shadow now looking up at Buzz in the window. And I can see everything quite clearly. The light is sufficiently bright backlighted into the front of the LM, that everything is very clearly visible,
Okay. I'm going to be changing the ***
Okay.
The camera is installed on the RCU bracket, and I'm storing the LEC on the secondary strut.
I'll step out and take some of my first pictures here.
Roger. Neil, we're reading you loud and clear. We see you getting some pictures and the contingency sample.
Neil, this is Houston. Did you copy about the contingency sample? Over.
Roger. I'm going to get to that just as soon as I finish these picture series.
Okay. Going to get the contingency sample there, Neil.
Right.
Okay. That's good.
Okay. The contingency sample is down and it's ***. Looks like it's a little difficult to dig through the initial crust.
This is very interesting. It's a very soft surface, but here and there where I plug with the contingency sample collector, I run into a very hard surface, but it appears to be very cohesive material of the same sort. I'll try to get a rock in here. Just a couple.
That looks beautiful from here, Neil.
It has a stark beauty all its own. It's like much of the high desert of the United States. It's different but it's very pretty out here. Be advised that a lot of the rock samples out here, the hard rock samples, have what appear to be vesicles in the surface. Also, I am looking at one now that appears to have some sort of phenocryst.
Houston. Roger. Out.
Okay. The handle is off the *** in about 6 or 8 inches into the surface. I could *** easy ***.
Yes, it is. it's - I'm sure I could push it in farther, but it's hard for me to bend down further than that.
Now, you can throw so far.
You can really throw things a long way up here.
That pocket open, Buzz?
Yes, it is. It's not up against your suit though. Hit it back once more. More toward the inside. Okay. That's good.
That in the pocket?
Yes. Push down.
Got it?
No. It's not all the way in. Push it. There you go.
Contingency sample is in the pocket. My oxygen is 81 percent. I have no flags, and I'm in minimum flow.
This is Houston. Roger, Neil.
Okay. I have got the cameras on at one frame a second.
Okay.
And I've got the 80 percent, no flags.
Are you getting a TV picture now, Houston?
Neil, yes we are getting a TV picture.
Neil, this is Houston. We're getting a picture. You're not in it at the present time. We can see the bag on the LEC being moved by Buzz, though. Here you come into our field of view.
Roger.
Hold it a second. First let me move that over the edge for you.
Okay. Are you ready for me to come out?
Yes. Just stand by a second. I'll move this over the handrail.
Okay.
All right. That's got it. Are you ready?
All set. Okay. You saw what difficulties I was having. I'll try to watch your PLSS from underneath here.
All right. The backup camera's positioned.
Okay. Your PLSS is - Looks like it is clearing okay. Your toes are about to come over the sill. Okay. Now drop your PLSS down. There you go; you're clear. And laterally you're good. You've got an inch clearance on top of your PLSS.
Okay. You need a little bit of arching of the back to come down. ... How are are my feet from the edge?
Okay. You're right at the edge of the porch.
Okay. Back in *** little of foot movement *** porch. Little arching of the back. Helmet comes up and clears the bulkhead without any trouble at all.
Looks good.
Neil, this is Houston. Based on your camera transfer with the LEC, do you foresee any difficulties in SRC transfer? Over.
Negative.
Okay. Now I want to back up and partially close the hatch.
Making sure not to lock it on my way out.
(Laughter) A pretty good thought.
That's our home for the next couple of hours and we want to take good care of it. Okay. I'm on the top step and I can look down over the RCU, landing gear pads. It's a very simple matter to hop down from one step to the next.
Yes. I found I could be very comfortable, and walking is also very comfortable.
You've got three more steps and then a long one.
Okay. I'm going to leave that one foot up there and both hands down to about the fourth rung up.
There you go.
Okay. Now I think I'll do the same ***
A little more. About another inch.
THERE YOU GOT IT.
That's a good step. About a 3-footer.
Beautiful view!
Isn't that something! Magnificent sight out here.
Magnificent desolation.
Looks like the secondary strut *** little thermal effects on it right here, Neil.
Yes. I noticed that. That seems to be the worst, although similar effects are on - all around.
BEGIN LUNAR REV 18
MS
... powder, isn't it?
Isn't it fine?
Right in this area I don't think there's much of any *** fine powder *** clods together, and it's hard to tell whether it's a clod or a rock.
Notice how you can kick it out.
Yes. And it bounces and then -
Reaching down is fairly easy. I got my suit dirty at this stage.
The mass of the backpack does have some effect in inertia.
There's a slight tendency, I can see now, to *** backwards *** due to the soft, very soft texture.
You're standing on a rock, a big rock there now.
This pad sure didn't ***
No. It didn't.
There's absolutely no crater there at all from the engine.
No.
I wonder if about right under the engine is where the probe might have hit.
I'd like that.
Yes. I think that's a good representation of our sideward velocity at touchdown there - hole at the probe.
I see that probe over on the minus-Y strut. It's broken off and bent back up.
It did, didn't it? The other two both bent over.
Can't say too much for the visibility right here without the visor up. It's dark. It looks like there is a *** surface of it is *** pounded rock *** And incidentally, these rocks *** very powdery surface ***
Say again, please, Buzz; you're cutting out.
I say that the rocks are rather slippery.
Roger.
A powdery surface when the sun hits. *** they split up all the very little fine porouses *** Will tend to slide over it rather easily.
Traction *** seems quite good. ***
*** About to lose my balance in one direction and recovery is a quite natural and very easy *** And, moving your arms around, Jack, doesn't *** off the surface *** not quite that light-footed.
And, I have the insulation off the MESA now and MESA seems to be in good shape.
Got to be careful that you are leaning in the direction you want to go, otherwise you *** slightly inebriated. In other words, you have to cross your foot over to stay underneath where your center-of-mass is.
And, Neil, didn't I say we might see some purple rocks?
Find a purple rock?
Yes. They are small, sparkly *** fragments *** places *** would make a first guess that some sort of biotite *** We'll leave that to further analysis ***
*** compact underneath *** completely no *** you don't sink down more than ... a quarter of an inch.
Okay, Houston. I'm going to change lenses on you.
Roger, Neil.
Okay, Houston. Tell me if you're getting a new picture.
Neil, this is Houston. That's affirmative. We're getting a new picture. You can tell it's a longer focal length lens. And for your information, all LM systems are GO. Over.
We appreciate that. Thank you.
Neil is now unveiling the plaque *** gear.
Roger. We got you boresighted, but back under one track.
For those who haven't read the plaque, we'll read the plaque that's on the front landing gear of this LM. First there's two hemispheres, one showing each of the two hemispheres of the Earth. Underneath it says "Here Man from the planet Earth first set foot upon the Moon, July 1969 A.D. We came in peace for all mankind." It has the crew members' signatures and the signature of the President of the United States.
Ready for the camera?
No. I'll get it. No, you take this TV on out.
Watch the LEC, there.
Now I'm afreid these ... materials are going to get dusty ***
The surface material is powdery. *** How good your lens is, but if you can *** smudges ... very much like a very finely powdered carbon, but it's very pretty looking.
Would you pull out some of my cable for me, Buzz?
Houston. How close are you able to get things in focus ?
This is Houston. We can see Buzz's right hand. It is somewhat out of focus. I'd say we were focusing down to probably - oh, about 8 inches to a foot behind the position of his hand when he was pulling out the cable.
Okay. How's the temperature on there?
Temperature of the camera is showing zero.
I'm a little cool. I think I'll trade ***
I'm on intermediate now, Houston, and I show 3.78. No flags, 70 ***
Houston. Roger. Out.
And, we'll probably need a little *** distance *** back location *** television camera.
Neil, look at the minus Y-strut, the direction of travel there *** travel from right to left.
Right.
This one over here underneath the ascent engine where the probe first hit - the minus-Y probe first hit.
I got plenty of cable?
You've got plenty. Plenty more.
Okay. I think I've got the end of it.
Something interesting: in the bottom of this little crater here - It may be -
Now keep going. We've got a lot more.
Okay.
Getting a little harder to pull out, here.
How far would you say I am, Buzz?
Forty, 50 feet. Why don't you turn around and let them get a view from there and see what the field of view looks like?
Okay.
You're backing into the cable.
Okay.
Turn around to your right, would be better.
I don't want to go into the Sun if I can avoid it.
That's right. Yes.
I'll just leave it
All right.
sit like that and walk around it.
Houston. How's that field of view going to pick up the MESA? *** far away?
Roger.
Neil, this is Houston. The field of view is okay. We'd like you to aim it a little bit more to the right. Over.
Okay.
Okay. That's all the cable we have. *** not going out. I'll start working on the solar wind
A little bit too much to the right. Can you bring it back left about 4 or 5 Degrees?
Okay. That looks good Neil.
Okay, now. Do you think I ought to be farther away, or closer?
Can't get too much further away.
Let's try it like that for a while. I'll get a couple of panoramas with it, here.
Roger. You look okay as far as distance goes, Neil. And we'll line you up again when you finish the panorama. Now you're going too fast on the panorama sweep. You're going to have to stop, or -
I haven't stopped - I haven't set it down yet. That's the first picture in the panorama. Right there.
Roger.
It's taken just a little - about north, north east.
Tell me if you've got a picture, Houston.
We've got a beautiful picture, Neil.
Okay. I'm going to move it.
Okay. Here's another good one.
Okay, we got that one.
Okay. Now, this one is right down front, straight west. And I want to know if you can see an angular rock in the foreground.
Roger. We have a large angular rock in the foreground, and it looks like a much smaller rock a couple of inches to the left of it. Over.
All right. And then on beyond it about 10 feet is an even larger rock that's very rounded. That rock is about - The closest one to you is about sticking out of the sand about 1 foot. And it's about a foot and one half long, and it's about 6 inches thick, but it's standing on edge.
Roger.
Okay, Neil. I've got the table out and the bag deployed.
We've got this view, Neil.
This is straight south.
Roger. And we see the shadow of the LM.
Roger. The little hill just beyond the shadow of the LM is a pair of elongate craters about - probably the pair together is about 40 feet long and 20 feet across, and they're probably 6 feet deep. We'll probably get some more work in there later.
Roger. We see Buzz going about his work.
How's that for a final?
For a final orientation, we'd like it to come left about 5 degrees. Over.
Now back to the right about half as much.
Okay?
Okay. That looks good there, Neil.
Okay.
Okay. You can make a Mark, Houston. *** deployed.
Roger. Solar wind.
And, incidently, you can use the shadow that the staff makes to *** getting it perpendicular ***
Roger.
Some of these small depressions *** tend to sink - oh, maybe 2 or 3 inches. *** suggest exactly what the Surveyor pictures showed when they pushed away a little bit. You get a force transmitted through the upper surface of the soil and about 5 or 6 inches of bay breaks loose and moves as if it were caked on the surface, when in fact it really isn't.
I noticed in the soft spots where we had footprints nearly an inch deep that the soil is very cohesive and it will retain a - will retain a slope of probably 70 degrees along side of the footprints.
Okay?
Yes. I think that's excellent.
They didn't come off?
*** get the ***
*** that part? *** a rock here.
You'll have to extend that one.
Columbia, Columbia, this is Houston. Over.
***
Houston, Columbia on the high gain. Over.
Columbia, this is Houston. Reading you loud and clear. Over.
Yes. Reading you loud and clear. How's it going?
Roger. The EVA is progressing beautifully. I believe they are setting up the flag now.
Great.
I guess you're about the only person around that doesn't have TV coverage of the scene.
04 14 09 25 That's all right. I don't mind a bit.
How is the quality of the TV?
Oh, it's beautiful, Mike. It really is.
Oh, gee, that's great! Is the lighting half way decent?
Yes, indeed. They've got the flag up now and you can see the stars and stripes on the lunar surface.
Beautiful. Just beautiful.
That's good. See if you can pull that end off a little bit. Take that end up a little.
It won't pull out.
Okay.
Neil, this is Houston. Radio check. Over.
Roger, Houston. Loud and clear.
Roger. Out.
Loud and clear, Houston.
Roger, Buzz.
I'd like to evaluate the various paces that a person can *** traveling on the lunar surface. I believe I'm out of your field of view. Is that right, now, Houston?
That's affirmative, Buzz.
You are in our field of view now.
Okay. You do have to be rather careful to keep track of where your center of mass is. Sometimes, it takes about two or three paces to make sure you've got your feet underneath you.
About two to three or maybe four easy paces can bring you to a nearly smooth stop. *** change directions, like a football player, you just have to to *** foot out to the side and cut a little bit.
So called kangeroo hop does work, but it seems that your forward mobility is not quite as good as - it is in the conventional - more conventional one foot after another.
It's hard saying what a sane pace might be. I think it's the one that I'm using now - would get rather tiring after several hundred *** but this may be a function of this suit, as well as lack of gravity forces.
Tranquility Base, this is Houston. Could we get both of you on the camera for a minute, please?
Say again, Houston.
Roger. We'd like to get both of you in the field of view of the camera for a minute.
Neil and Buzz, the President of the United States is in his office now and would like to say a few words to you. Over.
That would be an honor.
Go ahead, Mr. President. This is Houston. Out.
THE FOLLOWING IS A MESSAGE FROM RICHARD M. NIXON, PRESIDENT OF THE UNITED STATES; THE MESSAGE ORIGINATED FROM THE OVAL ROOM OF THE WHITE HOUSE, WASHINGTON, DISTRICT OF COLUMBIA
PRESIDENT NIXON
Neil and Buzz, I am talking to you by telephone from the Oval Room at the White House, and this certainly has to be the most historic telephone
call ever made. I just can't tell you how proud we all are of what you *** for every American. This has to be the proudest day of our lives. And for people all over the world, I am sure they, too, join with Americans in recognizing what an immense feat this is. Because of what you have done, the heavens have become a part of man's world. And as you talk to us from the Sea of Tranquility, it inspires us to redouble our efforts to bring peace and tranquility to Earth. For one priceless moment in the whole history of man, all the people on this Earth are truly one; one in their pride in what you have done, and one in our prayers that you will return safely to Earth.
Thank you, Mr. President. It's a great honor and privilege for us to be here representing not only the United States but men of peace of all nations, and with interest and a curiosity and a vision for the future. It's an honor for us to be able to participate here today.
PRESIDENT NIX0N
And thank you very much and I look forward - All of us look forward to seeing you on the Hornet on Thursday.
I look forward to that very much, sir.
Columbia, Columbia, this is Houston. Over.
Loud and clear, Houston.
Roger. I got a P22 AUTO optics - AUTO optics PAD for you.
Roger. Go ahead.
Roger. P22 landmark ID, LM: T1, 110 26 56; T2, 110 32 06. Three miles south; time of closest approach, 110 33 40. Shaft 353.855, trunnion 46.495, roll zero, pitch 250, yaw zero. Over.
Roger. Thank you. Readback not required.
Roger. Out.
Houston, it's very interesting to note that when I kick my foot *** with no atmosphere here, and this gravity *** they seem to leave, and most of them have about the same angle of departure and velocity. From where I stand, a large portion of them will impact at a certain distance out. Several *** the percentage is, of course, that will impact *** different regions *** it's highly dependent upon *** the initial trajectory upward *** where most of the *** already the particles are found, ... terrain.
Roger, Buzz. And break. Break. Columbia, this is Houston. When you track out of high gain antenna, then let's request OMNI Delta, OMNI Delta. Over.
So be it.
I've noticed several times in going from the sunlight into the shadow, that just as I go in, I catch an additional reflection off the LM *** along with the reflection off my face onto the visor, makes visibility very poor just at the transition *** sunlight into the shadow. I essentially have so much glare coming onto my visor *** shadow *** helmet actually gets the shadow. Than it takes a short while for my eyes to adapt to the lighting conditions. *** inside the shadow area, visibility, as we said before, is not too great, but both visor's up *** what sort of footprints we have and the general condition of the soil. Then, after being out in the sunlight a while, it takes - Watch it, Neil! Neil, you're on the cable.
Okay.
Yes. Lift up your right foot, right foot. It's still - your toe is still hooked in it.
That one?
Yes. It's still hooked in it. Wait a minute. Okay. You're clear now.
Thank you.
Now, let's move that over this way.
Okay. I've got it.
The blue color of my boots has completely disappeared now into this *** still don't know exactly what color to describe this other than ash cocoa color. It seems to be covering most of the lighter part of the boot *** color that *** very fine particles ***.
Buzz, this is Houston. You're cutting out on the end of your transmissions. Can you speak a little more closely into your microphone? Over.
Roger. I'll try that.
Beautiful.
Well, I had that one inside my mouth that time.
It sounded a little wet.
In general, time spent in the shadow doesn't seem to have any *** thermal effects. *** inside the suit. There is a difference, of course, in the ... radiation and the helmet. So I think there's a tendency to feel a little cooler in the shadow than the Sun.
Columbia, this is Houston. Over.
Columbia, this is Houston. Over.
Columbia, this is Houston. Over.
Houston, Columbia in Delta.
Roger. You should have VHF AOS with the LM right about now. VHF LOS will be about 40 minutes 15 seconds. Over.
Thank you.
As I look around the area, the contrast, in general, is *** comes about completely by virtue of the shadow *** down Sun ... very light colored gray, light gray color, a halo around my own shadow, around the shadow of my helmet. Then, as I look off across *** the contrast becomes strongest in that the surrounding color is still fairly light. As you look down into the Sun *** a larger amount of *** shadowed area is looking toward us. The general color of the *** surrounding *** the contrast is not as great. Surveying all the dusty area that we've kicked up *** considerably darker in texture. Now, I've kicked up one, and I imagine that this is *** Surveyor. The same is true when I survey across on - along the area that we're walking. In general *** to the fact that there are footprints there. General terrain where I've been kicking up a lot of this surface material is generally of a darker contrast *** color.
The panorama I'll be taking is about 30 or 40 feet out to plus ***
Say again which strut, Buzz?
The plus Z strut.
Roger.
And right in this area, there are two craters. The one that's right in front of me now as I look off in about the eleven o'clock position from the spacecraft, about 30 to 35 feet ... There's several eral rocks and boulders 6 to 8 inches across ... sizes.
I'm now in the area of the minus Y strut taking some ... photographs.
How's the bulk sample coming, Neil?
Bulk sample is just being sealed.
Houston, Columbia.
Columbia, this is Houston. Go ahead. Over.
Roger. No marks on the LM that time. I did see a suspiciously small white object whose coordinates are
Go ahead with the coordinates on the small white object.
Easy - Easy 0.3, 7.6, but I ... right on the southwest end of a crater. I think they would know it if they were in such a location. It looks like their LM would be pitched up quite a degree. It's on the southwest wall of a smallish crater.
Roger. Copy Echo 0.3 and 7.6, and -
Columbia, this is Houston. While I'm talking to you, LOS will be at 111 19 31; AOS, 112 05 43. Over.
Columbia, this is Houston. Did you copy LOS AOS times? Over.
Negative, Houston. You broke. Disregard. I'll get them off the flight plans.
Roger. Out.
The jet deflector that's mounted on quad 1 seems to be a good bit more wrinkled *** right now on quad 4.
You're breaking up again, Buzz.
I say the jets deflector that's mounted on quad 4 seems to be - the surface of it seems lo be more wrinkled than the one that's on quad 1. Generally, underneath part of the LM seems to have stood up quite well to the *** get some pictures in the aft part of the LM that will illuminate the thermal effects much better than we could get them up here in the front.
Roger. Out.
We're going to get some particular photographs of the bulk sample area, Neil?
Okay.
And, Houston? Buzz here. I'm showing 3.78 psi, 63 percent, no flags, adequate, slight warming *** fingered.
Roger. And Neil has 66 percent O2, no flags, minimum cooling, and the suit pressure is 382.
Houston. Roger. Out.
Buzz, this is Houston. Have you removed the closeup camera from the MESA yet? Over.
Negative. Thank you.
*** get the panorama now. Okay.
Did you get it?
Houston, how does our timeline appear to be going?
Roger. It looks like you're about a half hour slow on it. We're working on consumables. Over.
All right.
Neil and Buzz, this is Houston. To clarify my last, your consumables are in good shape at this time. The 30 minute reference was with respect to the nominal timeline. Over.
Roger. I understand that.
I don't note any abnormalities in the LM. The pods seem to be in good shape. The primary and secondary struts are in good shape. Atennas are all in place. There's no evidence of problem underneath the LM due to engine exhaust or drainage of any kind.
Roger. Out.
It's very surprising, the very surprising lack of penetration of all four of the foot pads. I'd say if we were to try and determine just how far below the surface they would have penetrated, you'd measure maybe 3 inches, wouldn't you say, Neil?
At the most, yes. That Y strut there is probably even less than that.
Nice paint job.
I get a picture of the plus Y strut taken from near the descent stage, and I think we'll be able to see a little bit better what the thermal effects are. Seem to be quite minimal.
There's one picture taken in the right rear of the spacecraft looking at the skirt of the descent stage, shows a quite darkening of the surface color, a rather minimal amount of radiating or etching away or erosion of the surface. 0n descent, both of us remarked that we could see a large amount of very fine dust particles moving out. It was reported beforehand that we would probably see an upgassing from the surface after actual engine shutdown, but as I recall, I was unable to confirm that.
This is too big an angle, Neil.
Yes. I think you are right.
We're back at the minus Z strut now. *** very little force of impact that we actually had.
And, Neil, if you'll take the camera, I'll get to work on the SEQ bay.
Okay.
Columbia, Columbia, this is Houston. I notice that -
Go ahead, Buzz.
Taking some close up pictures of that rock.
I was saying that, Houston, *** stop and take a photograph or something and then want to start moving again sideways, there's quite a tendency to start doing it with just gradual sideways hops until you start getting ***
Roger.
Can you see us underneath the LM over at the SEQ bay, Houston?
Yes indeed, Buzz. We can see your feet sticking our underneath the structure of the LM descent stage.
Okay. I'm just on the other side of the
Now we can see you through the structure of the minus Z secondary strut.
All right. The doors are open, and it looks like they are going to stay up without any problem.
Columbia, Columbia, this is Houston. We are about to lose you on the OMNI's. Request high gain antenna, REACQ mode Fish 20, yaw 135. Over.
You want to pick an area, Neil?
Make that yaw 175, Columbia, yaw 175 on the high gain.
Columbia is locked up on the high gain, Houston.
Roger. Out.
Houston, the passive seismometer has been deployed manually.
Roger.
And the manual deployment of the LR cubed, the little spring that is at the end of the string is pulled off of the picks head. However, I was able to reach up and get hold of the picks head and pull it loose. So, it will be deployed manually, also.
Roger.
And, the panorama is complete. *** and the LM - got the LM at 7 30 position at about 60 feet.
And the doors are closed and locked.
Roger.
Have you got us a good area picked out?
Yes. I think right out on that rise out there is probably as good as any.
I'll probably stay on the high ground there and
Watch it; the edge of that crater is - drops
Yes. It drops off there, doesn't it?
Get a couple of close ups on these quite rounded large boulders.
About 40 feet out - I'd say out at the end of that next
It's going to be a little difficult to find a good level spot here.
The top of that next little ridge there. Wouldn't that be a pretty good place?
All right. Should I put the LR cubed right about here?
All right.
I'm going to have to get on the other side of this rock here.
I would go right around that crater to the left there. Isn't that a level spot there?
I think this right here is just as level.
These boulders look like basalt, and they have probably 2 percent white minerals in them, the white crystals. And the thing that I reported as the vesicular before, I'm not - I don't believe I believe that any more. I think that small craters - they look like little impact craters where shot - B B shot has hit the surface.
Houston. I have the seismic experiment flipped over now, and I'm aligning it, but I'm having a little bit of difficulty getting the B B in the center. It wants to move around and around on the outside. ***
You're cutting out again, Buzz.
Roger. I say I'm not having too much success in leveling the PSE experiment.
The laser reflector is installed and the bubble is leveled and the alignment appears to be good.
Neil, this is Houston. Roger. Out.
Hey, you want to take a look at this B B and see what you make out of it?
I find it pretty hard to get perfectly level, too.
That B B likes the outside. It won't go on the inside.
That little cup is convex now, instead of concave.
I think you're right.
Believe it is.
Houston, I don't think there's any hope for using this leveling device to come up with an accurate level. It looks to me as though the cup here that the B B is in is now convex instead of concave. Over.
Roger, 11. Press on. If you think it looks level by eyeball, go ahead.
Okay.
There you go. Good work; good show. Hey, whoa; stop, stop! Back up.
Houston, as I was spacing the PSE, the right hand solar array deployed automatically. The left hand I had to manually *** the bar at the far end.
All parts of the solar array are clear of the ground now.
Buzz, this is Houston. I understand that you did successfully deploy both solar arrays. Over.
Roger. That's affirmative. And there isn't any way of telling whether that's lined up. I'm getting in the way; maybe I can get down here.
Neil, how does that appear to be pointing?
Neil, this is Houston. Over.
Go ahead, Houston.
Roger. We've been looking at your consumables, and you're in good shape. Subject to your concurrence, we'd like to extend the duration of the EVA 15 minutes from nominal. We will still give Buzz a hack at 10 minutes for heading in. Your current elapsed time is 2 plus 12. Over.
Okay. That sounds fine.
Roger. Out.
Buzz, this is Houston. If you're still in the vicinity of the PSE, could you get a photograph of the ball level? Over.
I'll do that, Buzz.
Right. We'll get a photograph of that. Houston, what time would you estimate we could allow for the documented sample? Over.
Oh, shoot. Would you believe the ball is right in the middle now?
Wonderful. Take a picture before it moves.
Neil, this is Houston. We're estimating about 10 minutes for the documented sampling. Over.
Columbia, Columbia, this is Houston. Over.
Go ahead, Houston. Columbia.
Roger. Like you to terminate charging battery Bravo at 111 plus 15. Over.
How about right now?
Roger.
Buzz, this is Houston. You've got about 10 minutes left now prior to commencing your EVA termination activities. Over.
Roger. I understand.
Tranquility Base, this is Houston. The passive seismic experiment has been uncaged and we're observing short period oscillations in it. Over.
I hope you're watching how hard I have to hit this into the ground, to the tune of about 5 inches, Houston.
Roger.
It almost looks wet.
Got a sample.
Wait a minute. Wait a minute. Wait a minute, you cut the cable again.
All right, Neil and Buzz, this is Houston. We'd like you to
MS
That clear?
Not quite.
Neil, this is Houston. We'd like you all to get two core tubes and the solar wind experiment; two core tubes and the solar wind. Over.
Roger.
Okay. While I'm getting the next one, maybe you can - ... away the box a little bit.
Buzz, this is Houston. You have approximately 3 minutes until you must commence your EVA termination activities. Over.
Roger. Understand.
Columbia, this is Houston. Approximately 1 minute to LOS. Over.
Columbia. Roger.
And, do you plan on commencing your sleep on the backside this pass? If so, we'll disable uplink to you while we're talking to the LM. Over.
Negative that.
Houston, were you able to record the documentary way where the two core tube samples were taken?
Negative. Out.
I didn't get a stereopair of those two, but they are right in the vicinity of the solar wind.
Neil, this is Houston. After you've got the core tubes and the solar wind, anything else that you can throw into the box would be acceptable.
Righto.
Cap ...
I got the cap.
Got the cap?
They're both good caps on ...
Okay.
And, you want to pick up some stuff, and I'll
Get these aseptic ones.
Move the solar wind in.
Buzz, this is Houston. It's about time for you to start your EVA closeout activities.
Roger. That's in progress.
Neil and Buzz, this is Houston. We'd like to remind you of the closeup camera magazine before you start up the ladder, Buzz.
Okay. Got that over with you, Neil?
No, the closeup camera's underneath the MESA. I'll have to pick it up with the prong. I'm picking up several pieces of really vesicular rock out here, now.
You didn't get anything in those environmental samples, did you?
Not yet.
Well, I don't think we'll have time.
Roger, Neil and Buzz. Let's press on with getting the closeup camera magazine and closing out of the sample return container. We're running a little low on time.
Roger.
Okay. Can you quickly stick this in my pocket, Neil, and I'll head on up the ladder?
Okay.
I'll hold it. You open the packet up.
... that'd kill us. Just hold it right there. Okay. Let the pocket go.
About through?
Got it.
Okay. Adios, amigo.
Okay.
Anything more before I head on up, Bruce?
Negative. Head on up the ladder, Buzz.
How are you coming, Neil?
Okay.
Did you get that solar wind rolled up there, Buzz?
Right. That's it right there.
Okay.
Think you can reach the - reach this hook that's hanging over here? You might entertain the idea of sending up the second one that way.
Okay.
Get the film off of that.
I will. Get that up now.
Okay. I'm heading on in.
Okay.
And I'll get the LEC all ready for the rock box.
Neil, this is Houston. Did the Hasselblad magazine go up on that sample return container also?
I've got the Hasselblad magazine hooked to the SRC now, yes.
Roger.
How are you doing, Buzz?
I'm okay.
About ready to send up the LEC?
Yes. Just about.
Okay.
Okay. That's got it clear.
Oh. Uh - oh. The camera came off. I mean the film pack came off.
Okay. Just ease it down now. Don't pull so hard on it. All right, let it go.
While you're getting that, I've got to get the camera.
Okay. This - This one's in. No problem.
Okay. Stand by a second.
Neil, this is Houston. Request an EMU check. Over.
Roger. Got 3.8 and I got 54 on the O2 and no flags, and my flow is in N.
Neil and Buzz, for your information, your consumables remain in good shape. Out.
Roger, How's it coming, Neil?
Okay. I've got one side hooked up to the second box and I've got the film pack on.
Okay. Good.
Boy, that bilge from on the LEC is kind of falling all over me while I'm doing this.
All that soot, huh?